“The master key is part of a new global effort to make the whole domain name system secure and the internet safer: every time the keyholders meet, they are verifying that each entry in these online “phone books” is authentic. This prevents a proliferation of fake web addresses which could lead people to malicious sites, used to hack computers or steal credit card details.” –read more at The Guardian.
“What does it mean to describe a recording as being of a moment in which it did not circulate? Conversely, what does it mean to describe previously inaccessible music as participating in a later moment in which it resonates more powerfully?” Sign up to get notified when the book is ready to order. From the Duke Press about the book:
John Cage’s disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?
In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era’s experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Read the article that accompanies this amazing glimpse into how listening habits and preferences vary regionally – fascinating work!
And just for fun, Buzzfeed’s “21 Things You Might Not Know About about Tim Burton’s Batman”. And Robin Williams came very close to playing The Joker (whew).
Just uncovered this wonderful collection of images of the Law & Order set at the Chelsea Piers in NYC courtesy of Gothamist. And of course, if you’re feeling nostalgic, don’t miss Jerry Orbach’s guided tour from 2004. I got a little weepy.
Hey creatives, head over to Inspired Mag and grab these gorgeous icon sets! There’s ten, they’re all free, and they’re all beautiful!
Slack re-imagines the way team members communicate in a lovely, efficient way. I’m into it (particularly the channels option, allowing you to follow conversations on different project types) and am looking forward to trying to get on board.
In today’s high speed environment,
Stop motion footage of a city at night
With cars turning quickly
Makes you think about doing things efficiently
And time passing.
Head over to Open Culture and watch the brilliant documentary on the making of Dr. Strangelove. Across five parts on YouTube, listen to insiders, critics, cast members, editors, and more share stories on the making of one of Kubrick’s most intricate and stunning works (though many wouldn’t pick it as the most elaborate, I’d beg to differ). I mean, you know it’s a comedy, by Stanley Kubrick, right? About mutually assured self destruction? Watch it.
The Toast has been killing it lately. And one section to never overlook when you catch up over there is the Books section, which last week put out this incredible “You know you’re a ___ if ___ ” post, “How to Tell If You’re in a Hemingway Novel“. It’s a list. Don’t tell me you didn’t chuckle out loud at #7: “A woman is looking at you. She is wearing her hat in a manner you find unbearably independent and mannish. You despise her.”
Also, I recently read his entire wikipedia entry and it’s nothing less that incredible. I never realized how little I knew about his life, health, death, and family. An incredible read all on its own.