“What does it mean to describe a recording as being of a moment in which it did not circulate? Conversely, what does it mean to describe previously inaccessible music as participating in a later moment in which it resonates more powerfully?” Sign up to get notified when the book is ready to order. From the Duke Press about the book:
John Cage’s disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?
In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era’s experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
“In the strange video, Beyoncé walks out of her apartment past some Dickensian children who turn out to be paparazzi. There is a straight couple (of which the man is actually a gay I know from my gym) making out in what I presume to be TriBeCa. Then I can’t figure it out — it looks like she goes to meet a man in a hoodie on the Upper East Side, which can’t be true, because nobody would ever wear a hoodie on the Upper East Side. I love this song.”
“It’s becoming quite apparent to us that the world of playing the perfect music to people and the world of playing perfect advertising to them are strikingly similar,” says Eric Bieschke, Pandora’s chief scientist.
Capo 3 is a fun looking iOS application that takes a ‘song to note’ approach towards learning to play the music in your iTunes library. Pull in almost any kind of audio file, and let the app show you note by note how to play. You can even slow it down without sacrificing pitch. Looks fun!
Neil Young finds a gem record shopping in 1971 and talks to clerk who has no clue who he is. Thanks, YouTube!
“Neil finds a bootleg recording of a live CSNY show and confronts the store employee who has no idea who he is. At first, Neil is looking for the new Bob Dylan album “Greatest Hits Vol. 2″ but finds a bootleg Dylan album instead. He then discovers a Crosby & Nash and a CSNY bootleg as well.”