Here’s a Kickstarter I can get behind. The good folks at SOSU are making siracha and aging it in whiskey barrels and the results are fruity, spicy, and smoky. From SOSU: “We combined our philosophy of using fresh, locally sourced ingredients with the age-old craft of fermentation. We age our secret pepper mash in whiskey barrels for between 1-3 months. The sriracha takes on complex flavors from the oak barrels and the natural fermentation process. Absolutely no preservatives or additives go into our sriracha. Each bottle is handcrafted and made in small batches to ensure the most intense flavors.”
Undoubtedly the most important thing I’ve seen in days: a Tumblr dedicated to photographs of mirrors on Craigslist. Just incredible.
Mirrors and Windows is a beautiful look at the bedrooms of women across the globe. Some beautiful, some wanting, some not work safe. The collection is a stunning glimpse into the complexity of the woman’s life and space, as well as the dramatic cultural differences between women of the same age living in different worlds.
Source Code in TV & Film is wonderful, even if you don’t care much for or understand code. Find out what all those blackboard formulas have been lifted from and why it makes no sense, or find the guy who actually wrote code to demonstrate the use of Raw Sockets in writing Packet Injection programs. The image above shows code used in White House Down when they were, of course, hacking into a mainframe.
“In the strange video, Beyoncé walks out of her apartment past some Dickensian children who turn out to be paparazzi. There is a straight couple (of which the man is actually a gay I know from my gym) making out in what I presume to be TriBeCa. Then I can’t figure it out — it looks like she goes to meet a man in a hoodie on the Upper East Side, which can’t be true, because nobody would ever wear a hoodie on the Upper East Side. I love this song.”
Read the whole thing, please.
“Not all obituaries are created equal. As a genre of occasional writing, some are composed without intimate knowledge of the deceased or deep reflection about their contributions. But the best of the obituaries written about these and other towering thinkers command our attention, for they invite us to reckon once again (and ever anew) with the political work and social location of what the historian Christopher Lasch referred to as the “intellectual as a social type.” Some are just a paragraph long; others go on for pages. But at their finest, obituaries of intellectuals attempt to resituate these thinkers and their ideas in the historical conditions from which they came and to which they spoke. And they invite us to recall how we put them to work in our own intellectual biographies.”
“Over Our Dead Bodies” –Jennifer Ratner-Rosenhagen
It sometimes works that way.
“It’s becoming quite apparent to us that the world of playing the perfect music to people and the world of playing perfect advertising to them are strikingly similar,” says Eric Bieschke, Pandora’s chief scientist.
The original Netflix prediction algorithm — the one which guessed how much you’d like a movie based on your ratings of other movies — was an amazing piece of computer technology, precisely because it managed to find things you didn’t know that you’d love. More than once I would order a movie based on a high predicted rating, and despite the fact that I would never normally think to watch it — and every time it turned out to be great. The next generation of Netflix personalization, by contrast, ratchets the sophistication down a few dozen notches: at this point, it’s just saying “well, you watched one of these Period Pieces About Royalty Based on Real Life, here’s a bunch more”.